MOTU interfaces can be found in studios around the world because of their superb performance record and trusted reliability. The 16A is one of several next-generation, high-performance audio interfaces, combining incredible audio, large console style mixing, and state-of-the-art features.
64 Audio channels - A feast of analog and digital I/O
16 balanced/unbalanced TRS analog inputs and outputs, plus 2 x 8-channel ADAT optical ports, deliver a total of 32 inputs and 32 outputs. Use the 16A for expanding analog I/O for your computer, or as a flexible, capable patchbay and mixer. Or both!
Superb audio quality - Pure sound, without compromise
The 16A employs latest-generation ESS Sabre32 Ultra converters, known for their industry-leading performance, together with expertly engineered analog circuits that reflect more than three decades of pro audio engineering expertise. The result? The 16A achieves actual, measured performance of 123dB dynamic range (A-weighted, 20Hz to 20kHz) on its balanced TRS analog outputs.
Ultra-low I/O latency - State-of-the-art latency performance
Every digital audio workflow has some latency. The only question is, how much? In the case of the 16A, the answer is, not much at all. In the 16A, latency is measured in a handful of samples, from the time an audio signal first goes digital to its arrival somewhere else (to an output the mixer, or the computer). By keeping latency this low in the hardware, the 16A helps minimize latency introduced by your host software.
Thunderbolt technology - Plug-and-play ease with massive bandwidth
Thunderbolt lets you connect displays, hard drives, and other peripherals to your computer, along with the 16A, and the Thunderbolt bus won't even break a sweat. But more importantly, Thunderbolt gives you an astonishing 256 channels of computer I/O (128 in and out). You can use them to route audio to the physical inputs and outputs on the 16A, plus the 48-channel mixer inside the 16A, plus audio network streams. The 16A is one of the first and only interfaces to combine Thunderbolt I/O connectivity with AVB audio networking.
Audio class compliant USB 2.0 - Broad compatibility with future-proof connectivity
Don't have a Thunderbolt-equipped computer yet? Hi-speed USB 2.0 provides across -the-board compatibility with pretty much all laptops and desktop computers. The 16A is USB audio class compliant, which means you enjoy OS-level USB compatibility and support, including iPad support (works with camera connection kit, sold separately). Since USB 2.0 devices are compatible with USB 3.0-equipped hosts, your 16A interface is a future-proof investment in your studio.
48-channel digital mixing - Control up to 12 separate stereo mixes
The 16A is equipped with a 48-channel digital mixer designed just like a large format mixing console. The 48 inputs can take signal from anywhere; the physical inputs on the 16A interface itself, audio channels from host software on your computer, audio network streams, or even mixer outputs. The mixer provides 7 stereo aux busses, 3 groups, a reverb bus that can alternately serve as a 4th group, a Main Mix bus and a separate Monitor bus that can serve as a solo bus. In essence: capable and transparent mixing.
Modeled analog EQ and compression - Vintage processing with 32-bit floating point precision
British analog mixing consoles are renowned for their musical EQ profiles. The 16A meticulously models these classic EQs to give you the very same, magical EQ response found on these coveted desks. Each input channel also provides a classic compressor module with optional peak/RMS operation. Groups and the Main Mix bus are equipped with MOTU's Leveler, an accurate model of the legendary Teletronix LA-2A optical leveling amplifier, known for its unique and highly sought-after Automatic-Gain Control (AGC) characteristics.
