{"title":"JHS Black Friday 2026 Promo","description":null,"products":[{"product_id":"jhs-morning-glory-v4","title":"JHS Morning Glory V4","description":"\u003cp\u003eThere’s a lot of hype out there these days with overdrive pedals and the last thing we want to do is to add to the noise.\u003c\/p\u003e\n\u003cp\u003eAs you may already know, almost every boutique overdrive on the market is a modified Tubescreamer of some sort; we have decided to take a different approach.\u003c\/p\u003e\n\u003cp\u003eThe Morning Glory is a very transparent tone-shaping tool that is the result of several years of building, gigging, tweaking and improving on the original Marshal Bluesbreaker design. We improved vastly on the BB while maintaining what made it a great pedal in the first place. It now has around 4X more headroom, 2X the available gain, and a more useful tone control. The “Bright Cut” toggle allows the perfect level of EQ for your rig.\u003c\/p\u003e\n\u003cp\u003eYou will notice immediately how touch sensitive and dynamic the feel of this pedal is. The frequencies are perfectly balanced and the tone knob reacts as a high frequency roll off. The drive allows you a huge range of tones from “little wing-ish” chime to classic rock era bite. If you’re a Strat player, this pedal will bring you sounds that you may have thought impossible. If you like the Les Paul, get ready to discover a new palette of sounds that you won’t be able to live without.\u003c\/p\u003e\n\u003cp\u003eWith enough clean headroom to be used as a boost as well as a hefty amount of drive, this may be your go-to pedal for good.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307154444477,"sku":"1007370","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs-morning-glory.jpg?v=1628859632"},{"product_id":"jhs-charlie-brown-v4","title":"JHS Charlie Brown V4","description":"\u003cp\u003eIf you’ve ever heard an original Marshall JTM45 than you know why it’s the voice of classic Rock \u0026amp; Roll. The classic JTM45’s are loaded with warm, rich character that makes a Stratocaster sing and a Les Paul scream. Our Charlie Brown is voiced to transform any good amp into a living, breathing replica of the tone that built an era. After playing this pedal most people say, “Where has this been my whole life?”\u003c\/p\u003e\n\u003cp\u003eWith the gain below 50% it is a low grit overdrive that even Hendrix would be proud of. When you get into the upper half of the gain knob you will find a new world of natural, crunchy bite that just can’t be found anywhere else. Max it out and you will be in high gain, overdrive heaven. The Presence knob lets you roll of the perfect amount of shimmer for an unprecedented compatibility with almost any amp. This unit can cover a lot of ground and we can almost guarantee that you won’t be adding this one to your “unusable dirt box list” that you’ve accumulated over the years.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278365397181,"sku":"1007371","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs-charlie-brown.jpg?v=1628859570"},{"product_id":"jhs-angry-charlie-v3","title":"JHS Angry Charlie V3","description":"\u003cp\u003eIn the footsteps of the classic Marshall Gov’ner, this monster was born. Just like its big brother the Charlie Brown, the Angry Charlie is versatile, well rounded and full of tone, but one thing sets them apart. This one's a little more Angry… If you want high gain Marshall tones reminiscent of a JCM-800, then this is the pedal for you.\u003c\/p\u003e\n\u003cp\u003eThe gain knob has an unbelievable range of overdrive to head-on heavy grind, and the tone knob actually has a solid range unlike many distortions on the market. The additional presence knob adds a versatility and tweaking ability that transforms any amp into a fire breathing monster! Big classic distortion tones are what this box is all about. If you need a high gain but \"realistic\" sounding pedal then look no further!\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e\n\u003cp\u003e***This pedal CAN be run at 18v for more headroom and greater dynamics\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278365790397,"sku":"1007372","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs-angry-charlie.jpg?v=1628859540"},{"product_id":"jhs-pulp-n-peel-v4-compressor-preamp-pedal","title":"JHS Pulp N Peel V4 Compressor\/Preamp Pedal","description":"\u003cp\u003eCompression is the one effect that can make the difference between sounding polished and professional or just normal and part of the crowd. Most people discover that “studio” quality sound in their rigs for the first time when they add a good quality compressor. Our Pulp n Peel compressor is the perfect tool for adding a different dynamic, flavor and sustain no matter what rig you play.\u003c\/p\u003e\n\u003cp\u003eAs you may have guessed by our suave design, we based this comp off of a certain vintage design made famous back in the day. Most compressors you see are based off of the Ross\/MXR design that yield very squashed high end and a lack of upper end clarity and definition. The Pulp n Peel is not. With the PnP you will find that your guitar's natural color and attack stay in place instead of being forced under a hard and un-transparent squash. Another advantage is its low noise floor and super headroom that allows it to be used as a boost in front of or behind your favorite overdrive\/distortion or fuzz. The PnP excels in the fields of blues, jazz, funk and classic rock because of its natural transparency and cooperation with single coils as well as humbuckers. The controls are as simple as it gets with compression, volume and a clean blend knob to dial in your original untouched signal. The idea behind our design is that you will never want to turn it off, and if your looking for the perfect \"leave-on\" compressor that will make your rig sound like a million bucks, then look no further. Once you have experienced what it does to your rig, you will never be the same.\u003c\/p\u003e\n\u003cp\u003eNOTE: Our blend control blends compression in. All the way up is full compression\/preamp tone while rolling it backwards brings in your original uncompressed tone. One more thing, don't play with the trim pot inside of the pedal, as tempting as it is because we set that to a very specific voltage with our fancy electronic tools.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278366511293,"sku":"1007373","price":246.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs-pulp-n-peel.jpg?v=1628859655"},{"product_id":"jhs-little-black-buffer","title":"JHS Little Black Buffer","description":"\u003cp\u003eThis may be the greatest weapon you didn’t know you needed.\u003c\/p\u003e\n\u003cp\u003eFor those of us who are a little “pedal happy” there can be some downfall to our tone. When running a pedal board with more than one or two effects, something called “capacitance” happens. This natural problem happens due to the amount of cable or line that your signal has to travel through, not to mention bad switching systems in certain pedals. The result is a very audible amount of high-end loss, weak signal, flabby bass and uncharacteristic pickup behavior in guitars. Another problem is the assumption that all “true bypass” is good. This isn’t true and actually can be worse than imagined.\u003c\/p\u003e\n\u003cp\u003eThis is where the “Little Black Buffer” steps in providing the perfect input impedance to your rig and giving you the final result of clear, natural tone that sounds like you're plugged straight into your amp no matter how many pedals you use.\u003c\/p\u003e\n\u003cp\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41970799083709,"sku":"1007374","price":93.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhslittleblackbuffer.jpg?v=1622823390"},{"product_id":"jhs-buffered-splitter","title":"JHS Buffered Splitter","description":"\u003cp\u003eThis little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don't lose clarity or tone in any way.\u003c\/p\u003e\n\u003cp\u003eNeed to split your signal? Don’t want to settle for a passive device that will kill your tone and cause signal loss? This is what you need! This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way.\u003c\/p\u003e\n\u003cp\u003eThere are so many reasons to add the JHS Pedals Buffered Splitter to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter, or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way.\u003c\/p\u003e\n\u003cp\u003eYou can end up with a tone that is muddy and lifeless. Adding our Buffered Splitter to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting our Buffered Splitter on your board will give you your tone back.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHere are some of the uses:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e*Plug your guitar in and use one output to send your clean signal somewhere like a mixer, separate amp, etc... and send the other output through your board like normal.\u003c\/p\u003e\n\u003cp\u003e*Use one output to send a constant signal to your tuner and the other for your normal chain. This can help you defeat those volume pedal “tuner out” horrors!\u003c\/p\u003e\n\u003cp\u003e*Split your signal in any way you can imagine!\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default","offer_id":40931722264765,"sku":"1007375","price":101.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsbufferedsplitter.jpg?v=1625884221"},{"product_id":"jhs-little-black-amp-box","title":"JHS Little Black Amp Box","description":"\u003cp\u003eIf your amp has a “send\/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the LBAB to saturate your preamp section and get some cranked tube tone at bedroom levels!\u003c\/p\u003e\n\u003cp\u003eThis pedal does not require power and it measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278366904509,"sku":"1007376","price":71.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhslittleblackampbox.jpg?v=1622823392"},{"product_id":"jhs-mute-switch","title":"JHS Mute Switch","description":"\u003cp\u003eSimple, solid and very useful. Have you ever needed a simple mute switch with no frills? Just hit the footswitch and anything plugged into the input is made 100% silent. Has a dual color LED that shines green when signal is hot and red when the mute is on.\u003c\/p\u003e\n\u003cp\u003eNOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen.\u003c\/p\u003e\n\u003cp\u003eThis pedal is passive but requires standard 9V DC Negative for the LED to function and it measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307154575549,"sku":"1007377","price":71.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsmuteswitch.jpg?v=1622823394"},{"product_id":"jhs-mini-a-b-box","title":"JHS Mini A\/B BOX","description":"\u003cp\u003eA good solid A\/B box can be a guitarist's best friend. We make ours from a Hammond 1.5\"x3.6” metal enclosure with high quality jacks and switch. We also include a dual color (red\/green) LED to let you know by sight if your using A or B. This is very practical in a live situation. Here are the best uses for our handmade Mini A\/B.\u003c\/p\u003e\n\u003cp\u003eChoose between two amps on the fly\u003cbr\u003eTake your guitar tuner out of your signal chain\u003cbr\u003eChoose between two guitars with no unplugging of cables\u003cbr\u003eMute your guitar instantly\u003cbr\u003eAnywhere you need to choose inputs or outputs, this box does the job!\u003c\/p\u003e\n\u003cp\u003eThis pedal is passive but requires standard 9V DC Negative power for the LED to function and it measures 3.6\"x1.5\"x1\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307154739389,"sku":"1007379","price":71.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsminiabbox.jpg?v=1622823396"},{"product_id":"jhs-andy-timmons-drive-pedal","title":"JHS Andy Timmons Drive Pedal","description":"\u003cp\u003eAfter purchasing his first JHS Angry Charlie in 2013, Andy Timmons quickly dubbed it his main dirty tone. It even beat out the drive channel of the boutique amplifiers he’s well known for using. But there were a couple of tweaks Timmons requested from the pedal. We gladly obliged, and the JHS Pedals AT (Andy Timmons Signature) Drive, a.k.a. “The @,” was born. The AT retains a lot of what Timmons loves so much about the Angry Charlie. But the ability to change the pedal’s feel and headroom via a 3-way toggle switch makes the AT even more versatile. If you covet the thick and awe-inducing Andy Timmons lead tone, his signature JHS overdrive pedal is definitely where it’s “AT.“ Sorry...we had to.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePrecisely tuned control\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eRight out of the box, you’ll be able to effortlessly dial in the AT Drive to mate perfectly with your amplifier. Its Volume and Drive controls work in much the same way as a high-gain master-volume amplifier. And the EQ and Air control let you keep the presence or thicken your tone by pinpointing separate high-end frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-\u003c\/strong\u003e Volume acts as the master output control\u003cbr\u003e\u003cstrong\u003e-\u003c\/strong\u003e Drive...you guessed it\u003cbr\u003e\u003cstrong\u003e-\u003c\/strong\u003e EQ is a lowpass filter that removes higher frequencies\u003cbr\u003e\u003cstrong\u003e-\u003c\/strong\u003e Air control functions much like the presence control on an amplifier’s power section\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eLike having three different amps on your board\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe main addition that sets the AT Drive apart from our Angry Charlie pedal is the addition of a 3-position headroom switch. We think it is very similar to the differences in 25-, 50-, and 100-watt tube amplifiers. Whether you like low-wattage smoothness or high-powered headroom and punch, it’s inside the AT Drive.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e-\u003c\/strong\u003e Instant access to three different “wattage” settings\u003cbr\u003e\u003cstrong\u003e-\u003c\/strong\u003e The up-position 25-watt mode offers a smooth, thickly driven, and compressed tone.\u003cbr\u003e\u003cstrong\u003e-\u003c\/strong\u003e The middle 100-watt mode is cleaner, loud, and sports an immediate attack\u003cbr\u003e\u003cstrong\u003e-\u003c\/strong\u003e The down-position 50-watt mode gives you nice overdrive with a full-frequency response.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default","offer_id":41467357429949,"sku":"1007384","price":236.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsandytimmonsdrivepedal.jpg?v=1622825441"},{"product_id":"jhs-red-remote-switch","title":"JHS Red Remote Switch","description":"\u003cdiv class=\"short-description\" itemprop=\"description\"\u003eThe Red Remote is the perfect companion for compatible JHS pedals allowing you to control and switch the on-board toggle functions at the hit of a switch. All you have to do is attach any standard 1\/4'' instrument cable between the Red Remote and your compatible JHS Pedal and you can switch toggle functions on-the-fly. For example if you were using the Red Remote with the JHS SuperBolt pedal, the toggle function is dedicated to the 'Gain' parameter, meaning the Red Remote will switch the gain function on and off as you step on the footswitch.\u003c\/div\u003e\n\u003cdiv class=\"short-description\" itemprop=\"description\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eExternal footswitch controller for use with JHS effects pedals\u003c\/li\u003e\n\u003cli\u003eCurrently compatible with: Morning Glory V4, SuperBolt V2 and the Twin Twelve V2\u003c\/li\u003e\n\u003cli\u003eActivate\/deactivates toggle function on compatible pedals\u003c\/li\u003e\n\u003cli\u003eConnects via any 1\/4'' instrument cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307384901821,"sku":"1007386","price":48.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsredremoteswitch.jpg?v=1625887248"},{"product_id":"jhs-the-milkman","title":"JHS The Milkman","description":"\u003cp\u003eThe Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple: a single pedal that offers up an echo\/slap delay and a boost that can also be used as an always-on enhancer. So here we are, an easy-to-use boost\/echo 2-in-1 pedal with a small footprint that fits into any rig with ease. We’d love to go on and on about The Milkman, but its beauty is in its simplicity...and tone of course. If you play country, rockabilly, swing, surf, or any other style of good old American twang, you need a slap echo and you need a boost. You need The Milkman.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eJHS and Milkman Sound\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eTim Marcus from Milkman Sound crafts some of our favorite amplifiers, is a good friend, and a killer pedal steel\/Tele-type player. So when we found out he was looking for the perfect pedal for his brand of Americana picking, we jumped at the chance to make it for him. Here you go Tim!\u003c\/p\u003e\n\u003cp\u003e- Delay tuned for slap-back junkies\u003cbr\u003e- Transparent boost is great for getting above the mix or pushing an amp into overdrive\u003cbr\u003e- Compact enclosure will sit comfortably on a cramped pedalboard\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eYou’re gonna get slapped\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe echo effect on this stomp is finely tuned to deliver a hybrid of tape and bucket brigade tone with the ability to easily dial in the exact settings you want. There are plenty of do-it-all delay pedals, but we don’t think any of them can out slap The Milkman.\u003c\/p\u003e\n\u003cp\u003e- Maximum delay time of about 240ms makes dialing in the perfect slap much easier\u003cbr\u003e- Controls for Slap (time), Mix (delay level), Repeat (number of repeats), and EQ (tone of repeats)\u003cbr\u003e- Tuned to sound great on any setting\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eAn addictive clean boost\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eWe’re quite proud of our boosts around JHS. These simple, single-knob affairs can drive your rig into thick overdrive, punch you up above the band, or even massage your tone as an always-on preamp.\u003c\/p\u003e\n\u003cp\u003e- Discrete amplifier-based circuit with tons of power and character\u003cbr\u003e- At unity settings, it adds clarity and a 3D quality to your tone\u003cbr\u003e- Can be used independent of the pedal’s echo effect\u003c\/p\u003e\n\u003cp\u003eThe Milkman uses standard 9v DC Negative power only.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307436773565,"sku":"1007387","price":194.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsthemilkman.jpg?v=1622825994"},{"product_id":"jhs-mooshine-v2","title":"JHS Mooshine V2","description":"\u003cp\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003cp\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple  Volume, Tone, and Drive knobs.  However on the Moonshine V2 we added a new Clean knob to blend in any  amount of clean signal to your tone!  The simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion.\u003c\/p\u003e\n\u003cp\u003eIn the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.\u003c\/p\u003e\n\u003cp\u003eThe tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003cp\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge“wall of rock” The Edge-style force through a Vox.\u003c\/p\u003e\n\u003cp\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307482058941,"sku":"1007390","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsmoonshinev2.jpg?v=1622826522"},{"product_id":"jhs-the-bonsai","title":"JHS The Bonsai","description":"\u003cp\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer.  It is probably the most produced and sold pedal in the history of guitar pedals!   The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer.  Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications.  At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal.  One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box!  The Bonsai is exact replication, not emulation.  When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003cp\u003eLets take a look at the 9 modes of the Bonsai based on the 9 pedals we have chosen...\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOD-1 - 1977\u003c\/strong\u003e\u003cbr\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has symmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-808 - 1979\u003c\/strong\u003e\u003cbr\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-9 - 1982\u003c\/strong\u003e\u003cbr\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMSL, Power or L Series - 1985\u003c\/strong\u003e\u003cbr\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of.  Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-10 - 1986\u003c\/strong\u003e\u003cbr\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExar OD-1 1989\u003c\/strong\u003e\u003cbr\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-7 (+mode) - 1999\u003c\/strong\u003e\u003cbr\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKeeley Mod Plus - 2002\u003c\/strong\u003e\u003cbr\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJHS Strong Mod - 2008\u003c\/strong\u003e\u003cbr\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher nd low end drop offs.\u003c\/p\u003e\n\u003ch4\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/h4\u003e\n\u003ch5\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/h5\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307482288317,"sku":"1007394","price":269.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsthebonsai.jpg?v=1622826526"},{"product_id":"jhs-haunting-mids","title":"JHS Haunting Mids","description":"\u003cp\u003eAre you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ pedal that can turn any amp or pedal into a ghastly monster.  With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination.\u003c\/p\u003e\n\u003cp\u003eThe controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo\/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped.  Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected.  Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected.  The Lo\/Hi toggle is like a \"Q\" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob.  \"Lo\" is a softer and wider peak for slightly subtler affect as you tweak the Mids\/Sweep knobs.  \"Hi\" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids\/Sweep knobs.\u003c\/p\u003e\n\u003cp\u003eThis pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every \"djent,\" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig.  The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost.\u003c\/p\u003e\n\u003cp\u003e– Simple yet effective tool to boost\/cut the perfect amount of midrange frequencies.\u003cbr\u003e– Sweepable midrange frequency to find the perfect EQ to slice through any mix.\u003cbr\u003e– Turn any amp or pedal into a totally different ghastly monster.\u003cbr\u003e– Don’t forget the Volume BOOOOOOst.\u003c\/p\u003e\n\u003cp\u003eSo go and wake the undead with the ghostly sounds of the Haunting Mids!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307670147261,"sku":"1007400","price":161.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhshauntingmids.jpg?v=1622830491"},{"product_id":"jhs-kodiak-tremolo-w-tap","title":"JHS KODIAK TREMOLO W\/TAP","description":"\u003cp\u003e\u003cspan\u003eAn unbelievable range of tremolo effects for your every need. The JHS Pedals Kodiak Tremolo gives you an immense variety of choice. Five different controls allow you to experiment with a wealth voices and styles of tremolo, meaning you have the freedom to acutely and precisely craft the perfect sound to suit your playing. What's more, you'll always be in flawless time thanks to the Kodiak's tap tempo feature. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJHS Pedals have become a staple of rock music and beyond since the company was founded in 2007. Each and every pedal is hand crafted to perfection, and offers industry-leading effects to give your playing endless possibilities. Muse, Foo Fighters, Radiohead, Red Hot Chili Peppers, and an ever-growing list of musicians at the top of their game use JHS Pedals. The Kodiak is one of their best yet. It's time to start your collection.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eAlways stay in time\u003c\/h3\u003e\n\u003cp\u003eNever worry about effects dragging you out of time. With some pedals, when heavy effects such as delay are applied, it becomes easy to lose a grip of timing. The tap tempo function built in to the Kodiak ensures that this will never be a problem. The feature syncs up with each of the pedal's effects, including the tremolo's delay rate, to ensure studio quality, perfectly timed tremolo in every one of your live performances.\u003c\/p\u003e\n\u003ch3\u003eUnlimited array of voices\u003c\/h3\u003e\n\u003cp\u003eEndless experimentation for complete creative freedom. The JHS Kodiak's wave control feature gives you four unique variations to choose from, each of which can be tweaked to craft a wealth of different sounds. A sine voice gives you classic amp tremolo. Square creates a heavy, turbulent voice. The rhythmic setting creates a broad tremolo perfect for altering speed and crafting an original voice from scratch, and the ramp wave gives you a deep, warping, warbling tremolo. The possibilities are limitless.\u003c\/p\u003e\n\u003ch3\u003eExtensive choice with five controls\u003c\/h3\u003e\n\u003cp\u003eThe range of choice is extremely broad. As well as the wave control, the Kodiak has four other dials to ensure variety of sound is at a maximum. There is a volume control to help boost your sound and cut through any mix. The speed control lets you alter the wave rate of your tremolo, and can be perfectly synced with the tempo tap feature. A mix control allows you to isolate your sound, acting as a preamp. Finally, a ratio control lets you perfectly sync your pedal with the BPM of your tempo tap. The Kodiak really does spoil for choice.\u003c\/p\u003e\n\u003ch3\u003eWorld-renowned, hand-made quality\u003c\/h3\u003e\n\u003cp\u003eEach and every JHS pedal is hand-crafted to ensure perfection in every model. Josh Scott, the company's founder, believes this is the key to his pedals' amazing popularity. Their unique and wide ranging pedals have gained prominence and acclaim across the rock music spectrum. They've helped U2, Red Hot Chili Peppers, Smashing Pumpkins, Beck, The Killers, Muse, David Bowie, and many more create their thrilling live sounds. With such a glittering array of names, you can be sure that a JHS pedal will help you to capture an equally brilliant sound.\u003c\/p\u003e\n\u003ch3\u003eThe perfect addition to your pedalboard\u003c\/h3\u003e\n\u003cp\u003eNo effects enthusiast just has the one pedal. Freedom to experiment with a range of different voices and pedals can be a vital asset. The Kodiak has top-mounted jacks, meaning it takes as little room as possible up on your pedalboard and can fit flush against your other effects boxes. Keep on growing your collection.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278371164349,"sku":"1007401","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhskodiaktremolowtap.jpg?v=1625893577"},{"product_id":"jhs-clover","title":"JHS Clover","description":"\u003cp\u003eIn early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp\/Boost is our faithful interpretation of the FA-1 but with several additional features that we believe make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig!\u003c\/p\u003e\n\u003cp\u003eThe Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix.\u003c\/p\u003e\n\u003cp\u003eIn addition to the standard 1\/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output.\u003c\/p\u003e\n\u003cp\u003eThe Clover is an end all preamplifier \/ boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool.  While the Clover excels at being a preamp \/ boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307761537213,"sku":"1007406","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsclover.jpg?v=1622831023"},{"product_id":"jhs-active-a-b-y","title":"JHS Active A\/B\/Y","description":"\u003cp\u003eThe JHS Pedals Active A\/B\/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.\u003c\/p\u003e\n\u003cp\u003eJust plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal.   Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged.  Hit the right “Y” footswitch, and BOTH channels are engaged for full stereo output. Because the Active A\/B\/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.\u003c\/p\u003e\n\u003cp\u003eWith an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A\/B\/Y will be the one pedal that you can never leave home without!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307761864893,"sku":"1007407","price":141.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsactiveaby.jpg?v=1622831025"},{"product_id":"jhs-summing-amp","title":"JHS Summing Amp","description":"\u003cp\u003eThe JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output.  Simply plug into the two marked inputs and then plug in your single output and you’re ready to go. From two signals the Summing Amp creates one mono signal.\u003c\/p\u003e\n\u003cp\u003eThis is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays”. This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression.\u003c\/p\u003e\n\u003cp\u003eThe Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. This simple little box takes two inputs and creates one output but it adds up to a whole lot more!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307762323645,"sku":"1007408","price":93.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhssummingamp.jpg?v=1622831029"},{"product_id":"jhs-switchback-a-b-effects-loop-switcher","title":"JHS Switchback A\/B Effects Loop Switcher","description":"\u003cp\u003eThe JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that we designed just for ourselves to test and compare pedals in the JHS workshop but we soon realized that it was extremely useful for everyone’s guitar rig on stage or in the studio. \u003c\/p\u003e\n\u003cp\u003eThe Switchback has one input, one output and two separate selectable effects loops (Send\/Return), plus an A\/B toggle that is controllable by our Red Remote switching system. The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way. There are millions of ways to use the Switchback (Maybe not a million but… You get the idea) but here are a few of our favorite applications that are incredibly useful!\u003c\/p\u003e\n\u003ch3\u003e1. An A\/B True Bypass Looper \u003c\/h3\u003e\n\u003cp\u003ePlace a pedal or chain of pedals in the first loop and place a different pedal or chain of pedals in the second loop. The toggle\/red remote will allow you to quickly switch between those two loops. This is great for instantly placing different effects chains in and out of your rig on the fly or for shooting out two pedals with zero dead time in-between playing… Find out if that old TS808 sounds better than your TS-9 :-) if you demo different pedals, this is a must have. \u003c\/p\u003e\n\u003ch3\u003e2. A Simple True Bypass Looper\u003c\/h3\u003e\n\u003cp\u003ePlace your pedal or chain of pedals that you want in the first loop. The toggle\/Red Remote will now toggle between the loop with your effects and the clean bypass signal. There’s no need to bridge the second loop with a patch cable as the Switchback automatically bypasses any loop where there’s nothing plugged in to the jack. \u003c\/p\u003e\n\u003ch3\u003e3. An A\/B Box\u003c\/h3\u003e\n\u003cp\u003eSimply use Send 1 and Send 2 to go to two different amps or any other application where you need two switchable outputs, and don’t use the output. Again, using the Red Remote gives you the ability to switch on the fly while playing!\u003c\/p\u003e\n\u003ch3\u003e4. An Amp Input Switcher\u003c\/h3\u003e\n\u003cp\u003eUse Send 1 to channel one and Send 2 to channel two. This allows you to “channel switch” on any amp with multiple inputs like old Marshalls and Fenders!\u003c\/p\u003e\n\u003ch3\u003e5. An Effects Loop A\/B\u003c\/h3\u003e\n\u003cp\u003ePlug your amp's effects loop Send into the input and the amps return into the output. Then toggle between the two loops of the Switchback as in example #1 above. \u003c\/p\u003e\n\u003cp\u003eBecause of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 1x1” Red Remote accessible!!! \u003c\/p\u003e\n\u003cp\u003eThe Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307762520253,"sku":"1007409","price":131.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhsswitchback.jpg?v=1622831030"},{"product_id":"jhs-cheese-ball","title":"JHS CHEESE BALL","description":"\u003ch3\u003e\u003cspan\u003eThe JHS Cheese Ball recalls a legendary 1990s-era distortion\/fuzz pedal that was used by U2, Jimmy Page, Radiohead, My Bloody Valentine, and Wilco, amongst others. Versatile doesn’t even begin to describe this pedal. From violin-like sustain to red-hot buzz to spitty grind, it will achieve just about any fuzz tone you can imagine. Volume, Gain, and Tone knobs give you plenty of tone-sculpting power, while a 4-position control unlocks all of the Cheese Ball’s schizophrenic personalities. The Cheese Ball is a faithful and accurate re-creation of the original pedal’s circuit — it’s a tribute to one of the most fascinating fuzz pedals of all time. If you only have room for one distortion\/fuzz pedal, this is the one to get.\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e4 modes yield an endless variety of tones\u003c\/h3\u003e\n\u003cp\u003eBesides your standard Volume, Gain, and Tone controls, the Cheese Ball also includes a 4-position mode selector knob. In the Off position, the pedal’s Tone knob is disengaged, for a bright, trashy fuzz. Position 1 serves up a mid-scooped, Muff-style sound. Position 2 conjures a cutting, mid-boosted sound. Position 3 delivers a spitty, gated fuzz sound — if this fuzz pedal is cheese, then position 3 is of the Swiss variety. The guitarists at Sweetwater appreciate the endless variety of tones that can be coaxed out of the Cheese Ball.\u003c\/p\u003e\n\u003ch3\u003eRe-creation of a cult favorite\u003c\/h3\u003e\n\u003cp\u003eThe JHS Cheese Ball is a spot-on re-creation of a British fuzz circuit that was all the rage in the 1990s (hint: check out the B-side of Nirvana’s “Love Buzz” — you’ll love the tone). You can find sonic examples of this circuit everywhere — U2’s The Edge used one, as did Radiohead’s Colin Greenwood, Pavement’s Stephen Malkmus, My Bloody Valentine’s Kevin Shields, Wilco’s Jeff Tweedy, and Tool’s Justin Chancellor. And that’s just for starters. Buying one of the originals on the used vintage market could cost in excess of $800. That’s why JHS built the Cheese Ball — it’s a faithful re-creation of one of the most excellent fuzz pedals ever created.\u003c\/p\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003e\u003cspan\u003eFuzz\/distortion stompbox based on a legendary 1990s-era pedal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVolume, Gain, and Tone knobs give you plenty of tone-sculpting power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4-position mode selector unlocks a myriad of fuzz tones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOff position creates a bright, trashy fuzz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePosition 1 serves up a mid-scooped, Muff-style sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePosition 2 conjures a cutting, mid-boosted sound\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePosition 3 delivers a spitty, gated fuzz sound\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278372606141,"sku":"1007411","price":194.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhscheeseball.jpg?v=1622831892"},{"product_id":"jhs-colour-box-v2","title":"JHS Colour Box V2","description":"\u003cp\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVintage Console Sound for Your Pedalboard\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eFrom the Beatles' “Revolution,” to Led Zeppelin’s “Black Dog,” and Neil Young’s “Cinnamon Girl,” some of rock’s most storied guitar tones were created by skipping the amp and plugging right into a vintage recording console. The JHS Colour Box V2 takes that concept and drops it on to your pedalboard. With a fully analog, transformer-based design and sweet-sounding EQ section, the Colour Box V2 is a tone-shaping wizard that can re-create classic tones or help you produce unique signature sounds. Not just for guitarists, Colour Box V2 sounds great on bass, keys, and vocals, too.\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eSubtly tweak your tone or smash it into overdrive\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003eThe Colour Box V2 has a buttery, musical, and harmonically complex character, derived, in part, from its Lundahl transformers — a favorite of Rupert Neve. With precise Baxandall-style tone controls, dual gain stages, and switchable Hi\/Low settings, the Colour Box V2 can be a scalpel or a sledgehammer. Use it to enhance your tone at low gain settings subtly, push it for crunchy but intelligible distortion, or completely dime it for some of the nastiest fuzz you’ll ever hear.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAn impressive tool live and in the studio\u003cbr\u003e\u003c\/strong\u003e \u003cbr\u003eThe magic of the Colour Box V2 isn’t limited to guitars. In fact, artists such as U2, Wilco, Muse, The War and Drugs, and Phantogram have tapped its unmistakable energy and character to transform every imaginable source — vocals, bass, acoustic guitars, drum overheads, snares, synths, and anything else calling out for splash of vintage vibe, creamy saturation, or full-on sputtering, overdriven madness. With boundless tone-shaping possibilities, the Colour Box V2 is truly a secret weapon, live and in the studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpanded features for supreme flexibility\u003c\/strong\u003e\u003c\/p\u003e\nFor the Colour Box V2, JHS kept all the functionality that made the V1 a modern classic and added a big handful of exciting new features, including a Hi\/Lo switch for ultra-clean headroom, the ability to pass 48v phantom power to condenser mics, active ribbons, and mic activators, EQ shift controls for detailed frequency sculpting, and an added output transformer for even more console-style mojo.\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eJHS pedals are handcrafted tone machines\u003c\/strong\u003e\u003c\/p\u003e\nWhen you plug your guitar into a JHS pedal like the Colour Box V2, you're tapping into care and passion that few manufacturers put into their products. Each JHS pedal is handbuilt and tested by the JHS team in Kansas City, Missouri. Because they design their pedals for specific musical purposes, we're sure there's a JHS pedal that's perfect for any player's rig.\n\u003cul\u003e\n\u003cli\u003ePreamp and EQ pedal for guitar, microphone, or line-level sources\u003c\/li\u003e\n\u003cli\u003e100% analog signal path, based on the design of vintage mixing consoles\u003c\/li\u003e\n\u003cli\u003eLundahl input and output transformers\u003c\/li\u003e\n\u003cli\u003eDual gain stages with over 39dB of gain give you everything from subtle sweetening to full-on distortion\u003c\/li\u003e\n\u003cli\u003eRe-creates the classic sound of plugging a guitar directly into a mic preamp\u003c\/li\u003e\n\u003cli\u003ePowerful tone-shaping potential, featuring 3-band EQ with shift control, and wide-ranging variable low-cut filter (60Hz–800Hz)\u003c\/li\u003e\n\u003cli\u003ePass 48v phantom power to condenser mics, active ribbon mics, and mic activators\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42307882582205,"sku":"1007412","price":483.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs-pedals-Colour_Box_V2.png?v=1641600040"},{"product_id":"jhs-paul-gilbert-pg-14","title":"JHS Paul Gilbert PG-14","description":"\u003cp\u003e\u003cspan\u003eFew things are as enjoyable as rocking out through a dimed guitar amplifier, and thanks to its FET-based circuitry, the JHS PG-14 delivers that exact sensation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesigned to the exact specifications of guitar virtuoso Paul Gilbert (Racer X and Mr. Big), the PG-14 gives you a stadium-level experience — the touch, feel, and response of a pushed tube amplifier — at manageable volumes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe PG-14 gives you a bevy of sound-shaping controls, but this distortion stompbox’s crown jewel is its active mid-frequency preamp. With it, you’ll benefit from a vast sweep of sonic options. If you want to add a scorching, high-octane dirt channel to your rig, the JHS PG-14 is a great way to do it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eCarving out your ideal dirt tone is easy with the JHS PG-14. Volume and Tone controls enable you to decide how much you want to punish the front end of your amp, then dial in your basic sonic signature. An active mid-frequency preamp in front of the PG-14’s FET distortion circuitry allows you to sculpt your guitar’s voice with exacting precision. Finally, Drive and Push controls adjust your gain level, all while replicating the performance of a pushed-to-the-brink tube amp.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003e\u003cspan\u003ePaul Gilbert signature distortion guitar effect pedal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFET-based circuitry delivers a stadium-level experience at manageable volumes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVolume control enables you to decide how much you want to punish the front end of your amp\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTone control dials in your basic sonic signature\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eActive mid-frequency preamp sculpts your guitar’s voice with exacting precision\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDrive control adjusts your gain level\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePush control replicates the touch, feel, and response of a pushed-to-the-brink tube amp\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278373523645,"sku":"1007413","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhspaulgilbertpg14.jpg?v=1625895887"},{"product_id":"jhs-3-series-chorus","title":"JHS 3 Series Chorus","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278374604989,"sku":"1007418","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs3serieschorus.jpg?v=1625896669"},{"product_id":"jhs-3-series-compressor","title":"JHS 3 SERIES COMPRESSOR","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.  \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278374736061,"sku":"1007419","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs3seriescompressor.jpg?v=1625896672"},{"product_id":"jhs-3-series-delay","title":"JHS 3 Series Delay","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.  \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278375063741,"sku":"1007420","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs3seriesdelay.jpg?v=1625896673"},{"product_id":"jhs-3-series-distortion","title":"JHS 3 Series Distortion","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278375325885,"sku":"1007421","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs3seriesdistortion.jpg?v=1625896675"},{"product_id":"jhs-3-series-fuzz","title":"JHS 3 Series Fuzz","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278375620797,"sku":"1007422","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs3seriesfuzz.jpg?v=1625896676"},{"product_id":"jhs-3-series-overdrive","title":"JHS 3 Series Overdrive","description":"\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":41970832146621,"sku":"1007423","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs3seriesoverdrive.jpg?v=1625896679"},{"product_id":"jhs-3-series-reverb","title":"JHS 3 Series Reverb","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003ehe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278375784637,"sku":"1007424","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS3SERIESREVERB.jpg?v=1642602523"},{"product_id":"jhs-packrat","title":"JHS Packrat","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eThe PackRat by JHS is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead. \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eIn 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI: the Proco RAT. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the mainstream product lines like MXR, DOD and BOSS. They wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e Building on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). If you purchased these nine hard-to-find pedals on the used market right now, you would pay around $4,000. When you put it that way, $249 sounds pretty reasonable.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e The operation of the PackRat is about as simple as it gets. The “Volume” control adjusts the overall volume of the pedal. The “Distortion” control lets you raise and lower the amount of gain or distortion that the circuit produces, and the “Filter” control allows you to brighten and darken the sound of the overall effect. This is effectively a simple, low-pass filter. Lastly, we have “Mode” control. This is a stepped pot that clicks into place as you scroll through the nine legendary versions of this circuit. As you change the mode, the analog circuitry is rewired, resulting in brand new values of resistors, capacitors, diodes and op amps. \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003eThe PackRat Modes:\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003col data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e The OG V1 (1979-83)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e White Face V3 (1984-1986)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e Turbo V5 (1989)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e BRAT V6 (1997)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e Dirty V7 (2004)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e LA (1986)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e Landgraff MO’D (1999)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e Caroline (2010)\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e JHS Mode\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42279457652925,"sku":"1018580","price":269.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs_packrat.jpg?v=1636621098"},{"product_id":"jhs-army-green-muffuletta","title":"JHS Army Green Muffuletta","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eNo changes to the pedal itself other than the color…\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFive tones inspired by these classic Big Muffs: \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e- JHS - \"2015\"\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e- ‘73 RAMS HEAD - “1973-1977 V2”\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e- THE TRIANGLE - “1969-1970 V1”\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e- THE PI - “1977-1978 V3”\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFamous users:  Frank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e- THE RUSSIAN - \"1999-2009 V8”\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails). \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e- THE CIVIL WAR - “1991-1993 V7”\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42293723955389,"sku":"1018581","price":269.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/jhs_army_green_muffuletta_1.jpg?v=1636621106"},{"product_id":"jhs-3-series-hall-reverb","title":"JHS 3 Series Hall Reverb","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eEach pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003cbr\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278376734909,"sku":"1018861","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-3-SERIES-HALL-REVERB.jpg?v=1637250261"},{"product_id":"jhs-3-series-phaser","title":"JHS 3 Series Phaser","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eEach pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike.\u003cbr\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003cbr\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42308039835837,"sku":"1018862","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-3-SERIES-PHASER.jpg?v=1637250729"},{"product_id":"jhs-3-series-flanger","title":"JHS 3 Series Flanger","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eEach pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike.\u003cbr\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42278378406077,"sku":"1018863","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-3-SERIES-FLANGER.jpg?v=1637250989"},{"product_id":"jhs-3-series-screamer","title":"JHS 3 Series Screamer","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new pedal. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package.\u003cbr\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eYou will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response.\u003cbr\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.\u003cbr\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42293735555261,"sku":"1019582","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-3-SERIES-SCREAMER.jpg?v=1646842775"},{"product_id":"jhs-3-series-harmonic-trem","title":"JHS 3 Series Harmonic Trem","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThe 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eToggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 65 mA.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42316594905277,"sku":"1024817","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-3SERIES-HARMONIC-TREM.jpg?v=1663184804"},{"product_id":"jhs-3-series-octave-reverb","title":"JHS 3 Series Octave Reverb","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eThe 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eToggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 65 mA.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42316594970813,"sku":"1024818","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-3SERIES-OCTAVE-REVERB.jpg?v=1663185176"},{"product_id":"jhs-artificial-blonde","title":"JHS Artificial Blonde","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eMADISON CUNNINGHAM ARTIST SIGNATURE PEDAL.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eOut of all the artist signature pedals we’ve done, this is the most signature. Simply put, the Artificial Blonde gives you Madison Cunningham’s foundational and always-on modulation tone.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eIf you love the sound of vintage vibrato, look no further.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThis pedal has stereo L\/R outputs, two independent switchable Speed\/Depth sections, and a shared Volume\/EQ section to perfectly dial in your vintage vibrato sounds.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42382574846141,"sku":"1028364","price":269.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-ARTIFICIAL-BLONDE.jpg?v=1664887976"},{"product_id":"jhs-volture","title":"JHS Volture","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e9V VOLTAGE SAG UTILITY.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eSince the fuzz effect was invented in the early sixties, guitar players have gone to great lengths to achieve the perfect fuzz tone. Legends say that Duane Allman placed his fuzz pedal in the freezer between sessions to cool down the transistors, and that Roger Mayer meticulously modified Hendrix’s Fuzz Faces beyond recognition in search of an elusive, magical fuzz experience. Fortunately, even apart from these mythological methods, there’s one trick that always works: use a dying battery. Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThe Volture is a modern day device for your vintage fuzz circuitry. Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery. As the song says, “Power is made by power being taken.” \u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eThough we developed it specifically for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion.\u003c\/p\u003e\n\u003cp class=\"p3\" data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 12MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42645159510205,"sku":"1031765","price":86.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/products\/JHS-VOLTURE.jpg?v=1675701127"},{"product_id":"jhs-the-hard-drive-modern-distortion-pedal-black","title":"JHS The Hard Drive - Modern Distortion Pedal - Black","description":"\u003cp class=\"p1\"\u003eMODERN DISTORTION\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA FRESH APPROACH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA fresh approach to achieving high gain distortion in a pedal format, the Hard Drive includes cascaded gain stages and a hard limiting circuit, followed by a class AB amplifier section that drives a “sweepable midrange” EQ and Baxandall bass and treble controls. With its generous external controls, the Hard Drive lets you dial in everything from grinding tube amp crunch to a bona fide wall of distortion that can easily cut through any stage or studio mix.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHONORING CLIFF SMITH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Hard Drive holds a special place in JHS history as the final design work of our former head engineer, Cliff Smith. The prototype and design had been finalized just weeks before he passed away in 2021.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“I don't know that there's ever been a JHS circuit where we experimented more. It was always a loose and casual approach to getting this right. I knew something great would come of it, so we just let it simmer…Cliff would call the Hard Drive circuit a mutt, and I agree– meaning this circuit is not a clone of anything in particular but rather an original iteration of tons of different inspirations and ideas, kind of like the Colour Box that he and I developed years earlier. I have vivid memories of Cliff spending entire weekends and nights tinkering and experimenting with this circuit. He would message me notes on the weekend when he got excited about something he stumbled into. This pedal was his hobby for a long time. He truly loved big, complicated gain staging and the challenge of making solid state circuitry respond like a valve amp. As a passion project that became a real product through Cliff’s consistent work, I can’t think of a more fitting last release from us as a design team than the Hard Drive. Cliff loved learning and this was his last masterclass. It’s an honor to finally put it out and let people enjoy the idea he brought to life.” - Josh Scott\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCONTROLS\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVolume - Controls the overall volume of the pedal. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMid Freq - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDrive (Distortion) - Controls the amount of drive (distortion). Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBass - Controls the bass frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMiddle - Controls the mid frequencies level. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTreble - Controls the treble frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilent soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 78mA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/p\u003e\n\u003c!----\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44051581370557,"sku":"1039689","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-The-Hard-Drive-Modern-Distortion-Pedal-Black.jpg?v=1719325713"},{"product_id":"jhs-the-hard-drive-modern-distortion-pedal-tan","title":"JHS The Hard Drive - Modern Distortion Pedal - Tan","description":"\u003cp\u003e MODERN DISTORTION\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA FRESH APPROACH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA fresh approach to achieving high gain distortion in a pedal format, the Hard Drive includes cascaded gain stages and a hard limiting circuit, followed by a class AB amplifier section that drives a “sweepable midrange” EQ and Baxandall bass and treble controls. With its generous external controls, the Hard Drive lets you dial in everything from grinding tube amp crunch to a bona fide wall of distortion that can easily cut through any stage or studio mix.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHONORING CLIFF SMITH\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Hard Drive holds a special place in JHS history as the final design work of our former head engineer, Cliff Smith. The prototype and design had been finalized just weeks before he passed away in 2021.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“I don't know that there's ever been a JHS circuit where we experimented more. It was always a loose and casual approach to getting this right. I knew something great would come of it, so we just let it simmer…Cliff would call the Hard Drive circuit a mutt, and I agree– meaning this circuit is not a clone of anything in particular but rather an original iteration of tons of different inspirations and ideas, kind of like the Colour Box that he and I developed years earlier. I have vivid memories of Cliff spending entire weekends and nights tinkering and experimenting with this circuit. He would message me notes on the weekend when he got excited about something he stumbled into. This pedal was his hobby for a long time. He truly loved big, complicated gain staging and the challenge of making solid state circuitry respond like a valve amp. As a passion project that became a real product through Cliff’s consistent work, I can’t think of a more fitting last release from us as a design team than the Hard Drive. Cliff loved learning and this was his last masterclass. It’s an honor to finally put it out and let people enjoy the idea he brought to life.” - Josh Scott\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCONTROLS\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVolume - Controls the overall volume of the pedal. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMid Freq - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDrive (Distortion) - Controls the amount of drive (distortion). Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBass - Controls the bass frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMiddle - Controls the mid frequencies level. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTreble - Controls the treble frequencies level. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilent soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 78mA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44051581403325,"sku":"1039690","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-The-Hard-Drive-Modern-Distortion-Pedal-Tan.jpg?v=1719325809"},{"product_id":"jhs-packrat-distortion-pedal-white","title":"JHS Packrat Distortion Pedal White","description":"\u003cp class=\"p1\"\u003eIn 1978, one of the most versatile distortion pedals of all time was invented in Kalamazoo–the ProCo RAT. Scott Burnham and Steve Kiraly had the idea after playing, repairing, and modifying all distortion pedals on the market. They wanted something that didn’t exist yet at MXR, DOD, or BOSS, a pedal that could go from overdrive to distortion and all the way to fuzz. By 1979, Scott perfected the circuit in his rat-infested basement workshop. The rest is history.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe PackRat is the ultimate tribute to 40+ years of RAT evolution and its impact on guitar’s sound. Artists from every genre have used this iconic and unassuming black box to create their tones, including Nirvana, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck, and Radiohead.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe PackRat uses the same unique digital runway system featured in our other multimode pedals (Muffuletta and Bonsai) to direct the paths of 261 components through 40 individual switches. This means when you choose one of the nine legendary modes, you are playing fully analog circuits that perfectly replicate that mode down to the aging components. If you purchased these nine hard-to-find pedals on the used market right now, you’d pay around $4k. The Pack Rat at $249 saves you thousands!\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eControls\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUsing the PackRat is straightforward. “Volume” adjusts the overall volume of the pedal. “Distortion” lets you raise and lower the amount of gain or distortion. “Filter” allows you to brighten or darken the sound of the overall effect, acting as a simple low-pass filter. The “Mode” knob is a rotary switch that clicks between each of the nine legendary RAT versions. As you change the mode, the analog circuitry is rewired between different values of resistors, capacitors, diodes, and op-amps.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eResearch I obtained over 100 different RAT specimens for study and interviewed former ProCo employees about the design, evolution, and production of the RAT. Many of the widely accepted “facts” about the differences in versions or sounds, including some of my own beliefs, were misinformed at best. Often, they’re wrong. Reliable sites had inaccurate timelines with incorrect pictures of the respective models. Even ProCo’s own history was missing tons of details about changes made to the RAT over the past 40 years.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo find the facts and properly understand this circuit, we obtained and studied every RAT model ever made (including some prototypes) in great detail. We analyzed them using state-of-the-art audio precision equipment, measured components, built comparison charts, traced each circuit, and closely examined the branding, logos, and other changes as precisely as possible.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVintage units are typically dated by reading manufacturer codes on potentiometers and knobs. Unfortunately, this is a flawed dating method. ProCo would have ordered thousands of potentiometers, and many pedals were made with parts that were at least two or three years older than the production date. This means you’ll see v1s, v2s, and v3s with overlapping dates. Combine this with decades of people “remembering” what RAT model sounds the best, and you’re in a historically inaccurate hot mess.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTo properly build an accurate timeline and database of changes, I dated components when possible, interviewed people involved in the eras of production, referenced over 1,000 online sales photographs, and studied the prototypes and evolution of engineer design ideas. I did everything possible to build an airtight case for my work and not rely on any prior timelines. The results may not be perfect, but they’re pretty close.\u003c\/p\u003e\n\u003c!----\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44412594979005,"sku":"1040875","price":269.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-Packrat-White-Distortion-Pedal.jpg?v=1722524850"},{"product_id":"jhs-flight-delay-reverse-analog-digital-pedal-white","title":"JHS Flight Delay Reverse Analog Digital Pedal White","description":"\u003cp class=\"p1\"\u003eThe JHS Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith three modes (Delay, Reverse, and Analog) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCONTROLS MIX\u003c\/strong\u003e - Controls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eREPEATS\u003c\/strong\u003e - Controls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e - Adjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTIME\u003c\/strong\u003e - Controls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMODULATION\u003c\/strong\u003e - The fight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMOD DEPTH\u003c\/strong\u003e - Controls the depth or level of the modulation effect. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMOD RATE\u003c\/strong\u003e - Controls the rate of the modulation. Left is slower, right is faster.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMODE TOGGLE ANALOG\u003c\/strong\u003e - A filtered analog-style BBD delay that harkens back to classic echo pedals like the\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEHX Memory Man and BOSS DM-2.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eREVERSE - Plays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDIGITAL - Crisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e**Note: when switching between modes, the delay time will default to the Time control setting.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSUBDIVISION TOGGLE - Sets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMODULATION TOGGLE - Sets delay modulation style to chorus, vibrato, or off.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTRAILS BYPASS MODE- Allows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTAP\/EXPRESSION CONTROL FOR DELAY TIME\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTAP - For external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEXPRESSION - For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLEFT FOOTSWITCH - Bypass switch, which turns the effect on and off.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRIGHT FOOTSWITCH - Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eINPUT - 1\/4” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOUTPUT - 1\/4” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTAP\/EXP JACK - 1\/4” jack on the top between the input and DC jack.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePOWER - Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTHE JHS PEDALS FLIGHT DELAY IS IN NO WAY AFFILIATED WITH OR ENDORSED BY IBANEZ, BOSS, DANELECTRO, ELECTRO-HARMONIX OR LINE 6.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44550559400125,"sku":"1042479","price":269.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-Flight-Delay-Reverse-Analog-Digital-Pedal-White.jpg?v=1728407143"},{"product_id":"jhs-flight-delay-reverse-analog-digital-pedal-blue","title":"JHS Flight Delay Reverse Analog Digital Pedal Blue","description":"\u003cp class=\"p1\"\u003eThe JHS Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith three modes (Delay, Reverse, and Analog) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCONTROLS MIX\u003c\/strong\u003e - Controls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eREPEATS\u003c\/strong\u003e - Controls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e - Adjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTIME\u003c\/strong\u003e - Controls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMODULATION\u003c\/strong\u003e - The fight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMOD DEPTH\u003c\/strong\u003e - Controls the depth or level of the modulation effect. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMOD RATE\u003c\/strong\u003e - Controls the rate of the modulation. Left is slower, right is faster.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eMODE TOGGLE ANALOG\u003c\/strong\u003e - A filtered analog-style BBD delay that harkens back to classic echo pedals like the\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEHX Memory Man and BOSS DM-2.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eREVERSE - Plays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDIGITAL - Crisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e**Note: when switching between modes, the delay time will default to the Time control setting.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSUBDIVISION TOGGLE - Sets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMODULATION TOGGLE - Sets delay modulation style to chorus, vibrato, or off.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTRAILS BYPASS MODE- Allows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTAP\/EXPRESSION CONTROL FOR DELAY TIME\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTAP - For external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEXPRESSION - For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLEFT FOOTSWITCH - Bypass switch, which turns the effect on and off.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRIGHT FOOTSWITCH - Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eINPUT - 1\/4” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOUTPUT - 1\/4” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTAP\/EXP JACK - 1\/4” jack on the top between the input and DC jack.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePOWER - Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTHE JHS PEDALS FLIGHT DELAY IS IN NO WAY AFFILIATED WITH OR ENDORSED BY IBANEZ, BOSS, DANELECTRO, ELECTRO-HARMONIX OR LINE 6.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44550559432893,"sku":"1042480","price":269.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-Flight-Delay-Reverse-Analog-Digital-Pedal-Blue.jpg?v=1728407213"},{"product_id":"jhs-colour-box-10-year-anniversary-colorway-pedal","title":"JHS Colour Box 10 Year Anniversary Colorway Pedal","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eJHS Colour Box 10 Year Anniversary Colorway Pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePREAMP \/ EQ \/ OVERDRIVE \/ DISTORTION \/ FUZZ \/ DI BOX\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eStudio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility, XLR and 1\/4\" I\/O\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe most significant improvements are:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Addition of an Output transformer\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Safely Passes 48v Phantom Power\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• EQ Shift Knobs for precision EQ control\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Hi\/Lo Switch for ultra clean headroom\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• 100% available clean signal even on acoustic guitar\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Silent switching, aka no \"switch-pop\"\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e• Runs on standard 9V DC Neg power\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDimensions: 5.7\" X 3.75\" X 1.85\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44550559498429,"sku":"1042481","price":483.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-Colour-Box-10-Year-Anniversary-Colorway-Pedal.jpg?v=1728407999"},{"product_id":"jhs-lari-violet-basilio-signature-pedal-purple","title":"JHS Lari Violet Basilio Signature Pedal Purple","description":"\u003cp class=\"p1\"\u003eThe Violet Distortion is a new take on distortion\/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe unique three-band EQ sets the Violet apart from our other popular distortion pedals. We placed the Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion. Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Violet also excels at stacking with other overdrives, distortions, and fuzzes, allowing it to fit perfectly into any rig as a second or new primary dirt device.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis pedal is for anyone looking to give their guitar a new voice. As Lari put it, “Why would I need words when my guitar can speak for me?”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVolume - Controls the overall volume of the unit. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMid Sweep - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDrive - Controls the amount of drive. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLow - Controls level of bass frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMid - Controls level of mid frequencies. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Sweep control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHigh - Controls level of treble frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eINPUT - ¼” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOUTPUT - ¼” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePOWER - Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided. Silent, soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTHIS PEDALS MEASURES 4.7” X 3.5” X 1.5” AND CONSUMES 55mA.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44550559531197,"sku":"1042482","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-Lari-Violet-Basilio-Signature-Pedal-Purple.jpg?v=1728408351"},{"product_id":"jhs-lari-violet-basilio-signature-pedal-black","title":"JHS Lari Violet Basilio Signature Pedal Black","description":"\u003cp class=\"p1\"\u003eThe Violet Distortion is a new take on distortion\/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe unique three-band EQ sets the Violet apart from our other popular distortion pedals. We placed the Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion. Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Violet also excels at stacking with other overdrives, distortions, and fuzzes, allowing it to fit perfectly into any rig as a second or new primary dirt device.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis pedal is for anyone looking to give their guitar a new voice. As Lari put it, “Why would I need words when my guitar can speak for me?”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVolume - Controls the overall volume of the unit. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMid Sweep - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDrive - Controls the amount of drive. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLow - Controls level of bass frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMid - Controls level of mid frequencies. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Sweep control.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHigh - Controls level of treble frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eINPUT - ¼” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOUTPUT - ¼” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePOWER - Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided. Silent, soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTHIS PEDALS MEASURES 4.7” X 3.5” X 1.5” AND CONSUMES 55mA.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44550559563965,"sku":"1042483","price":213.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-Lari-Violet-Basilio-Signature-Pedal-Black.jpg?v=1728408485"},{"product_id":"jhs-3-series-tape-delay-pedal","title":"JHS 3 Series Tape Delay Pedal","description":"\u003cp class=\"p2\"\u003eJHS 3 Series Tape Delay Pedal.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eTape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear \u0026amp; tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eMIX\u003c\/strong\u003e - Controls how much clean signal is blended in with the wet (delayed) signal. Left is more dry signal. Right is more wet signal.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eTAPE SPEED \u003c\/strong\u003e- Controls the length of delay effect. Left is shorter. Right is longer.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eREPEATS\u003c\/strong\u003e - Controls how many repeats occur after you play. Left is less. Right is more.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eFLUTTER \u003c\/strong\u003e- Switch down is standard effect. Switch up introduces a mild modulation reminiscent of vintage units with mechanical wear.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e \u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e - ¼” jack on the right side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e - ¼” jack on the left side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e - Requires 9VDC negative center power and consumes 65mA. Not not use more than 9VDC. You will void your warranty.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65m, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44816605806781,"sku":"1048355","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-3-Series-Tape-Delay-Pedal.jpg?v=1738081050"},{"product_id":"jhs-3-series-rotary-chorus-pedal","title":"JHS 3 Series Rotary Chorus Pedal","description":"\u003cp class=\"p1\"\u003eJHS 3 Series Rotary Chorus Pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond* organs, the Leslie* was a rotating speaker that created the recognizable Doppler effect (think church organ). You’ve heard rotary effects on everything from It’s Only Love by the Beatles to Cold Shot by Stevie Ray Vaughn and from City Love by John Mayer to Black Hole Sun by Soundgarden. It’s everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format!\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIntensity determines the modulation depth. Speed lets you control how fast the simulated speaker “spins.” When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient “room microphone” sound that happens when recording a real Leslie*.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eVOLUME \u003c\/strong\u003e- Controls the overall volume of the pedal. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eINTENSITY\u003c\/strong\u003e - Controls the modulation depth. Left is less, right is more.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eSPEED\u003c\/strong\u003e - Controls how the rate of modulation. Left is slower, right is faster.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eROOM\u003c\/strong\u003e - Switch down is standard effect. Switch up adds a roomy reverb.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e - ¼” jack on the right side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e - ¼” jack on the left side of the pedal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e - Requires 9VDC negative center power and consumes 65mA. Not not use more than 9VDC. You will void your warranty.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65m, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e*Hammond and Leslie are registered trademarks. The JHS Pedals 3 Series Rotary Chorus is in no way affiliated with or endorsed by Hammond or Leslie.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":44816605839549,"sku":"1048356","price":108.75,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/4175\/9421\/files\/JHS-3-Series-Rotary-Chorus-Pedal.jpg?v=1738081275"}],"url":"https:\/\/moogaudio.com\/collections\/jhs-black-friday-2026-promo.oembed","provider":"Moog Audio","version":"1.0","type":"link"}